written by: melinda hsu taylor and greggory nations. melinda co-wrote this season's 'the substitute' with elizabeth sarnoff. greggory nations is the script coordinator on 'lost,' which means he's the god of continuity. here's last year's nytimes article on him. this episode took us further back in time than any other character-centric story. it also has an interesting timeline inconsistency that i'm sure was deliberate, and not a mistake on gregg's part. the writing in this episode was fantastic; a beautifully executed, complete mini-movie.
directed by: tucker gates. wow. this was not just an episode of 'lost.' this was a full-on, unbroken, epic period drama, and almost completely successful on those terms alone. save for the pilot episode, this is the biggest, most ambitious episode of 'lost' to date. the show once again felt truly cinematic, it was a gift to the talents of actor nestor carbonell, and answered a plethora of mythological questions - a feat done through the prism of one man's personal, emotional story. this is 'lost' at its best. each scene of the 'film' was beautiful, and was a complete, mini story - i loved how the episode took time to focus on richard's struggle with both the miniscule (spending days digging a nail out of the wood), and the major (becoming instrumental in the ageless battle between good and evil with the fate of the world in your hands). also, the music in this episode was especially good, establishing yet another beautiful love theme for richard and isabella. the opening whoosh to ricardo's horseback-riding, buoyed by a new new musical theme, did a great job of establishing the period, urgency, tone, and mood for richard's story.
cinematography by: stephen st. john. another big bravo here. not only were the period elements expertly handled, the whole episode, island scenes included, felt bigger and more beautiful than they have in a long time. it's particularly impressive to see new island locations when it seems like we've seen every shootable inch of hawaii by now. even the effects shots were fantastic. the destruction of the statue! and the new shots of the shipwreck look much better than in the previous episode.
frankly: possibly the best episode of the season, certainly one of the best in the history of the show. if damon and carlton can adequately justify and explain the parallel timeline in a way that causes irritated fans to invest in it, then this season will stick the landing.
- rulebreakers
- heaven and hell
- good and evil
- ghost rules
- history of the black rock
- origin of the others
- origin of dharma
- some things
- preboomer
- next episode
right off the bat this episode establishes itself as a format-breaker, by showing us additional moments from jacob's scene with ilana at the russian hospital. the scene uncharacteristically flashes back and forth between the campfire scene and the hospital scene without use of the flashback sound effect. then, once the basics of alpert's story are rehashed for new audience members, the story whooshes (via the traditional flashback whoosh used in seasons 1-5) in one long, unbroken flashback that is bookended by the current island story.
only a few episodes in 'lost's' history have broken the rules in this way. desmond's 'flashes before your eyes' was structured this same way, with over half the episode taking place during a continuous flashback bookended by island story. desmond's story also broke the rules by having him 'conscious' during his flashback. richard's story remained unbroken, which really allowed me to invest in the story without having to bounce to another narrative. by keeping the flashback story linear, alpert's often-confusing timeline is made simple - which is another thing to love about this episode; the show is allowing itself to be simple again.
this episode is a perfect example of what damon and carlton mean when they say 'the only mysteries we will answer will be those mysteries that concern the characters.' there simply isn't time to checklist every minor story in the history of the island. remember when eloise hawking launched into a monologue about how the lamp-post station was built? - one of the worst moments of season 5. the thing the writers understand (thank god they do) is that though the audience clamors for answers, it's not actually answers that we want. what we want is closure. and that closure will come from explaining the origin and purpose of everything we, and the characters have endured. closure won't come from knowing where the food drop in season 2 came from (though they have promised we'll find out - if not in the show directly ..whatever that means..). i'll say it again: based on the strength of their 5 season finales, they know how to write endings. and now that we've crossed the halfway point of the final season, i have more confidence than ever that the show is going to give us a full-on catharsis of closure.
2. heaven and hell
so the first big piece of info revealed is that richard believes that the island is hell, and that everyone on it is dead. hm.. nestor carbonell talked about this a bit on jorge garcia's podcast, and i think i agree with him - he said that it seems like richard is frustrated, is being metaphorical at this point, and is speaking of his own personal hell. richard may have believed for many decades that he was 'in hell,' but as science progressed, he lost his accent, and got to the point where he understood modern science enough to recruit a fertility doctor. richard likely revised his world view right along with the changing world. he seems like a very adaptable guy. jorge garcia said that during the filming of the scene where richard syas they are in hell, he was thinking, 'shit, if this is hell, i actually got off this island for three years. d'oh!'
one of the things i love about the show is that though it may sometimes extinguish a popular theory, it later finds room to allow a multitude of theories to be 'right.' for some people, the island is hell. for others, the island is purgatory, and for a select few (rose, bernard, and vincent) the island is heaven. for some people the island is a snowglobe, and for the scientists, the island is a pocket of electromagnetic, energetic anomalies that effect the fabric of space and time. it's kind of like 'fantasy island,' in that it becomes whatever it 'needs' to be for each character.
this episode gave us the full-on religious interpretation of the island - it did this by plunging us deep into its past, and revealing it to us through the perspective of a deeply religious man. the episode also showed us how the two inhabitants of the island manipulated that man's religious devotion to their own ends.
by season's end i think we'll be exposed to a number of explanations for the island, all of which could be considered 'correct,' but also incomplete. widmore's team of what looks like world of warcraft aficionados will undoubtedly be heading straight for the orchid station to do some wheel spinning.
i loved the image of the island as a cork containing the evil of the smoke monster - the island is a prison, and jacob's job turns out to be much like desmond's job in the hatch: jacob is manning 'the station' that keeps the world safe. but who is truly evil?
3. good and evil
jacob says that nemesis believes that all people are corruptible, and we've seen evidence of how he operates, when he downloads information from his victims - he's looking for that person's moral breaking point. jacob says he can't interfere with people's choices, and that everyone he's brought to the island thus far to prove his point have all died. wow, how many people was that, and why does jacob keep trying? finally this explains some of his strange behaviour - he reminds people that they have a choice, sometimes bullys them into making certain choices, but the point of everything he does is to allow people to prove that they are 'good' by nature.
many people seem frustrated because they still don't know who to root for. 'who is good and who is evil!?,' they complain.
well, the good vs. evil analogy is perhaps not the best fit for jacob vs. his nemesis. each believes the other is evil, each is bound by certain rules, each has a goal they are determined to reach, and each is searching for loopholes around the rules they've been given. the better analogy is the one very simply stated by locke in the show's premiere episode: two men playing a game, one light, one dark. it's an epic game with the fate of the world at stake. we may find out who to truly root for - but right now, the point is ambiguity. the characters don't know either! richard certainly doesn't know! it could very well turn out that the (overall) better world we're seeing in the parallel universe is in fact the result of the 'evil' of smokey finally being let out, undoing all the meddling jacob had done over the years.
it's hard to argue for nemesis, who flat out murdered everyone who stayed behind at the temple, and also seems to recklessly murder anyone who isn't a candidate. but how different is he from jacob, who has also committed mass-murder. is jacob less guilty because he relied on the choices of other people to carry out his plans?
if jacob has been around since the time of the egyptians, it's apparently taken him thousands of years to figure out that using a proxy is an ideal way to work around his philosophy of non-interference. whether or not jacob is still playing within 'the spirit of the game' is another question - he's meant to represent the 'good' side, but clearly he's just as manipulative as nemesis is. jacob is pretty much the patron saint of passive aggressive behavior.
i will be über impressed if the show takes us even further back in time to the origin of the nemesis/jacob conflict. they are teasing us in this direction, and if they can pull it off.. man, then we haven't seen anything yet. i hope its an epic avatar style motion-capture extravaganza featuring nemesis' crazy hippopotamus-faced mother.
4. ghost rules
isabella's appearance on the black rock was verrry very interesting. the timing of the visit was such that it happened immediately after smokey downloaded info from richard's brain, so i thought, 'ah! is this smokey taking isabella's form to manipulate richard the same way he manipulted ben by taking alex's form?'but no, i don't think so. isabella's body is not on the island - and season 6 isn't the time to start playing fast and loose with the rules smokey has abided by for 5 seasons. also, isabella's behavior in this ghost form isn't consistent with nemesis' motivations. she was terrified of the thing, felt it was confirmation they were in hell, and tried desperately to get richard out of the chains. the words she speaks to richard are also echoed in her final scene when she speaks through hurley. somehow i think this was a true ghost of isabella that was able to manifest physically in the same way that kate's horse appeared, and she was able to touch it.
in the last podcast, damon and carlton were asked a question about the ghost rules. their answer was encouraging. 'these are excellent questions. in the near future one of the charcters on the show will be asking these same questions, and they'll be asking someone who knows the answers, and that person will provide the answers.' wow. i mean, that's pretty much the convergence of three things we have almost never seen on this show:
- person asking questions the audience wants answered
- person being asked knows the answer!
- person being asked will give the answer!
5. history of the black rock
the fuselage is overflowing with nitpicky 'fans' berating greggory nations for placing alperts journey on the black rock at 1867, when the auctioneer selling the black rock ledger in 'the constant' had this to say about the ship:
i want to believe, that because this is an episode cowritten by gregg nations, that this kind of glaring discrepancy is deliberate. so much discussion must have gone into the setting of the period of this episode. shooting period is not cheap, and the decisions are not made arbitrarily. costumes are made, sets are built, tons and tons of research is done by skilled artists to make it happen. though, after the ultrasound date mixup and sayid's iranian passport screwups, i'm hesitant to once again place my once unshakable faith in the show's finer details, but hopefully this isn't a mistake. if it is a mistake, i would consider it a colossal script coordination failure.
6. origin of the others
when richard asked jacob what happened to all the people he brought over, jacob says 'they're all dead.' clearly some of them lived long enough to build the temple, the statue, the tunnels, and other egyptian ruins - but it appears that smokey was eventually able to infiltrate, corrupt, set them against each other, and wipe them all out. architecturally, it seems the only structures on the island are either egyptian or built by dharma in the 70's, so i think we can infer that 'the others' as we know them did not come into existence until jacob placed alpert as his right hand man. how did eloise and widmore first come to the island? how did they come to follow richard, and how was leadership established? it seems quite odd that a society based on jacob's faith in the goodness of man would require locke to publicly murder his father in order to become their leader. ..yeah, jury's still out on whether jacob is truly 'good.'
in 1954 alpert says that he was 'ordered' to kill the us army soldiers, and infers that jacob gave this order. by the same token, we can infer that jacob ordered the purge of dharma in 1982. what exactly is going on here? why does jacob bring groups to the island and then periodically purge them?
7. origin of dharma
sometimes you just need to lie down, wherever you are.
dharma's history goes way back, given that magnus hanso was captain of the black rock, alvar was his great grandson, alvar began the hanso foundation, and the hanso foundation funded dharma. many portions of the 'lost experience' have been confirmed by damon and carlton to be canon, so i think it's safe to believe that magnus is alvar hanso's great grandfather. did alvar start the dharma initiative in attempt to find his great grandfather's ship? or was the creation of the dharma initiative something more imbedded in jacob's plan? did jacob feel it was necessary to bring scientists so that the stability of the island's geological powers could be ensured? was jacob's plan always to allow dharma on the island, allow them to build their stations and set up shop, then once they've been established, wipe them out and replace them with his own people? is this why the truce between dharma and 'the hostiles' was established?
the fuselage is overflowing with nitpicky 'fans' berating greggory nations for placing alperts journey on the black rock at 1867, when the auctioneer selling the black rock ledger in 'the constant' had this to say about the ship:
'the black rock set sail from portsmouth, england on march 22, 1845 on a trading mission to the kingdom of siam, when she was tragically lost at sea. the only known artifact of this journey is the journal of the ship's first mate, which was discovered among the artifacts of pirates on the ile sante-marie off the coast of madagascar seven years later. the contents of this journal have never been made public, or known to anyone outside the family of the seller, tovard hanso.'
so, why is there a 22 year gap in the history of the black rock?i want to believe, that because this is an episode cowritten by gregg nations, that this kind of glaring discrepancy is deliberate. so much discussion must have gone into the setting of the period of this episode. shooting period is not cheap, and the decisions are not made arbitrarily. costumes are made, sets are built, tons and tons of research is done by skilled artists to make it happen. though, after the ultrasound date mixup and sayid's iranian passport screwups, i'm hesitant to once again place my once unshakable faith in the show's finer details, but hopefully this isn't a mistake. if it is a mistake, i would consider it a colossal script coordination failure.
i think it's possible that magnus hanso, owner of the black rock, discovered the island in 1845, and then 'stole' his own ship to be used as 'the sub' for jacob, to bring his candidates to the island. it would be much easier to keep a ship at sea hidden in a time before satellites and radar. it's also interesting that the eponymous blast door map itself has written 'final resting place of magnus hanso/black rock.'
the other weird thing, though is that in the season 5 finale, jacob and nemesis are sitting on the beach, looking at the black rock sitting on a perfectly calm, daytime ocean, just a few miles off-shore. how can this possibly be the same ship? did it suddenly turn from day to night and from calm to storm? or was that day on the beach in 1845, the first time the black rock came to the island?6. origin of the others
when richard asked jacob what happened to all the people he brought over, jacob says 'they're all dead.' clearly some of them lived long enough to build the temple, the statue, the tunnels, and other egyptian ruins - but it appears that smokey was eventually able to infiltrate, corrupt, set them against each other, and wipe them all out. architecturally, it seems the only structures on the island are either egyptian or built by dharma in the 70's, so i think we can infer that 'the others' as we know them did not come into existence until jacob placed alpert as his right hand man. how did eloise and widmore first come to the island? how did they come to follow richard, and how was leadership established? it seems quite odd that a society based on jacob's faith in the goodness of man would require locke to publicly murder his father in order to become their leader. ..yeah, jury's still out on whether jacob is truly 'good.'
in 1954 alpert says that he was 'ordered' to kill the us army soldiers, and infers that jacob gave this order. by the same token, we can infer that jacob ordered the purge of dharma in 1982. what exactly is going on here? why does jacob bring groups to the island and then periodically purge them?
7. origin of dharma
sometimes you just need to lie down, wherever you are.
dharma's history goes way back, given that magnus hanso was captain of the black rock, alvar was his great grandson, alvar began the hanso foundation, and the hanso foundation funded dharma. many portions of the 'lost experience' have been confirmed by damon and carlton to be canon, so i think it's safe to believe that magnus is alvar hanso's great grandfather. did alvar start the dharma initiative in attempt to find his great grandfather's ship? or was the creation of the dharma initiative something more imbedded in jacob's plan? did jacob feel it was necessary to bring scientists so that the stability of the island's geological powers could be ensured? was jacob's plan always to allow dharma on the island, allow them to build their stations and set up shop, then once they've been established, wipe them out and replace them with his own people? is this why the truce between dharma and 'the hostiles' was established?
8. some things
- nemesis gives alpert the same knife that dogen gave to sayid. did richard give this knife to dogen at one point, complete with ironic (and useless) instructions on how to 'kill' nemesis?
- richard gives nemesis a jagged white rock.
- when jacob sits down with nemesis later, the rock is smooth and polished. at last! it all makes sense! that cranking noise.. smokey is one of these, only eeevil.
9. preboomer
nemesis smashes the metaphor on the log, creating another metaphor for what he's gonna do.
(boom)
my only problem with this preboomer is that the episode was clearly edited to end with the shot of locke overlooking the beautiful tree where alpert had his beautiful isabella moment, right after hurley said 'if you don't stop the man in black, we'll all go to hell.' the music crescendos, and locke turns around, nearly looks into the camera, and holds the pose. ..boom? no. not that the jacob/nemesis preboomer isn't great - the show can't be any clearer about the objectives of our two main characters. ibut the false ending diminished the potential power of the true ending. i think it would have played stronger if the shot of locke just held on the back of his head and didn't make such a big deal about him turning toward camera. keep the energy of that moment open, so that it can pass into the next scene, and the closure of the true final scene will feel more complete. the shot of locke was probably how the episode was originally supposed to end, when cut to time - but i can see how damon and carlton might have won a fight with abc to run the episode long, so additional scenes could be added in.
10. next episode
this week's episode is called 'the package,' and is a sun/jin episode. i have very high expectations for this, because the show must, in one episode, redeem the shafting they have given these two characters over the past two years. it's been so long since they had anything to do, that it's easy to forget where they started - true love destroyed by sun's criminal father, who allowed them to marry on the condition that jin work for him, then turned jin into his personal hit man. the stress turned jin into an asshole, which pushed sun to learn english to escape, and eventually have an affair with her english teacher. jin and sun were in sydney to deliver a watch to one of sun's father's business associates, and were on route to los angeles to deliver another watch. jin is a hit man, watch-and-stuffed-animal delivery service. sun is passive agressive liar, adultress, schemer, and murderer, if you count her pretty cold-blooded shooting and killing of coleen, pickett's wife. there could have been an amazing story about sun having to face pickett - or sun dealing with the fact that she's killed someone - but it seems like sun gets a free pass for all her past sins. she's become a blank slate that the writers throw things at and nothing sticks. jin on the other hand, has finally been given the gift of speaking english, but of course gets nothing to say. he should be talking all the time! we saw emotional development in all the characters who spent three years with dharma, except for jin. there could have been a story about jin leaving something in dharma specifically for sun to find 30 years later.. there could have been.. so much more.
at their best, the show has used the pair to comment on the triumph of true love over innumerable obstacles - infidelity, deceit, emotional separation, physical separation, temporal separation, and being-ignored-by-the-writers. sun was first separated from jin when he got on the raft at the end of season 1, and when the others blew it up, we were allowed to believe for several episodes that he had died. the scenario was repeated when jin was on-board the exploding freighter, launching sun into a three-year fit of rage interrupted by the birth of their daughter, ji yeon. since season two, the show has defined this couple through their separation. even in their marriage vows, jin says 'blah blah blah separation.' what did jin believe had happened to sun during his time with dharma? their season 4 episode, 'ji yeon,' was an hour-long trick meant to, again, underline their separation. how will the show finally reunite them? will it reunite them? does the show have the balls to kill jin for real? will sun join nemesis? whatever happens, i'd better be crying about it.
there are some interesting things to toss about: without the island, it will be next to impossible for ji yeon to be born, since jin is sterile, and required the island's fertility boost for sun to conceive. in the parallel, we don't know yet if sun was lying about speaking english or not - is her reboot relationship with jin the same as before? sun's father is golfing buddies with charles widmore. in the parallel, if the island is underwater, is widmore even alive? if he is, how has the nature of his business changed, and how would that change ripple out to sun's father? is it possible that without the island, sun's father requires jin to be merely a tough guy bodyguard, and not a full-on murderer? how much has changed? how did jin end up in the meat refrigerator? is keamy still connected to widmore in the parallel? will keamy be making more eggs?
what i want to see, if the show reunites them finally, is the unspeakable joy of finding someone believed to be dead for three years. that should be the simple description of the episode's essence. it has to be a huge emotional moment, and if it's done right, yunjun kim will slay the performance. i want to feel like i'm being reunited with the characters, too.
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Um... wow! This has quite a few adjustments since the last draft! Very good! Has the muse come to sit on your shoulder? Clamp her down until for the next few weeks please.
i want more eggs!
excellent analysis! i do feel, however, that this is missing a bit of the biblical implications regarding jacob and nemesis. god, himself, had more than one civilization that he destroyed and/or let be destroyed all in the name of free agency. he often left his prophets in the dark and frequently lets his people suffer the worst. i view jacob as an analogy for "god" and richard one of his prophets - noah, perhaps - who was unknowing of the master plan, but acted as god's voice. so in response to your characterization of jacob as not all good, well, he fits the god mold and god is the "ultimate good". and who's to say murder can't be performed in the name of good or that death is inherently evil? richard, at this point, may be beginning to see the goodness in it.
Perhaps the ship seen in the Incident was meant to be a ship other than the Black Rock from around the same time period. Or remember how the Ajira flight went from flying at night to flying in daylight just before it landed? Maybe a similar time shift occurred as the Black Rock approached the island.
Also in reference to Isabella being a ghost rather than an MIB manifestation during the Black Rock scene. Remember in the Man from Tallahassee when Ben sees his mom in the woods? He later runs into Richard who asks if his mom died on the island. I think this is an example of MIB being able to take the form of someone not buried on the island. In this case I think he was setting Ben up to eventually join the Others.
It will be amazing if they actually clarify all these ghost rules.
oo christian, excellent point about ben seeing his mom on the island, and richard's very specific inquiry about it.. i still think that those particular ghosts aren't smokey.
darlton confirmed in a podcast that the ship from 'the incident' was the black rock. it's possible there was a time shift as it approached, though it seemed like it was already pretty close.. they also specifically addressed that strangeness in the latest podcast, so hopefully it's something that will be cleared up by the end..
l, it's true, jacob's position raises some interesting philosophical questions - if the fate of the world is at stake, what then, are the limits to what must be done to protect it? at what point does your 'protection' do more damage than the thing you're protecting it from? i guess that's the eternal question about good and evil. what exactly are they? how are they defined? how do *we* decide who to follow in our lives? the buddhist god is very different from the western one - awful things that happen under the buddhist god are part of a larger whole and must be accepted, whereas the western god is judgemental, punishing, all-knowing and an entity to be feared.. maybe jacob and nemesis are just two 'gods' duking it out!?
yeah, too much protection can be a not so good thing. but i don't necessarily see jacob as over-protective given his often-times aloof demeanor. and it's not like there isn't any evil in the world on lost with nemesis caged on the island, just not total evil. i guess at this point i could go with either storyline: nemesis could leave the island and we may find that he actually adds to the world rather than destroys it, or he must really be stopped to prevent total earth destruction. i mean, we are supposed to stop hitlers and charles mansons, aren't we? according to buddhist philosophy?
ooh, good idea about two gods duking it out. if that isn't darlton's story, you should file it away for your own use some day...